{"id":1752,"date":"2014-11-03T13:16:15","date_gmt":"2014-11-03T12:16:15","guid":{"rendered":"http:\/\/www.dotbox.it\/main\/?p=1752"},"modified":"2016-12-06T11:37:31","modified_gmt":"2016-12-06T10:37:31","slug":"27les-instants-video-global-opening-con-marseille","status":"publish","type":"post","link":"https:\/\/www.dotbox.it\/main\/27les-instants-video-global-opening-con-marseille\/","title":{"rendered":"27\u00b0Les INSTANTS VIDEO \u2013 Global Opening con Marseille"},"content":{"rendered":"
\n

\"BOX_TT_instantvideo27.jpg\"<\/a><\/h1>\n<\/header>\n
\n

27TH FESTIVAL LES INSTANTS VIDEO<\/strong><\/p>\n

(Marseilles Milan)<\/strong>
\nGLOBAL OPENING<\/strong>
\na cura di Marc Marcier<\/strong><\/p>\n

vernissage venerdi 7 novembre in contemporanea con Marsiglia<\/strong>
\nore 18.30 \u2013 21<\/strong><\/p>\n

C\/O<\/strong>
\n[.BOX] Videoart Project Space<\/strong>
\nVia F. Confalonieri 11<\/strong>
\n20124 Milano<\/strong><\/p>\n

fino al 13 novembre<\/p>\n

apertura al pubblico: mercoled\u00ec e gioved\u00ec 18.30 \u2013 20.30 o su appuntamento \u2013 info@dotbox.it \u2013 3477813346<\/p>\n

Anche quest\u2019anno Milano \u00e8 gemellata con Marsiglia grazie alla nostra partnership con il famoso festival Les Instant Video, giunto quest\u2019anno alla 27esima edizione. Un appuntamento che ogni anno si rinnova con nuove energie e collaborazioni che mirano alla promozione, condivisione e divulgazione della videoarte sia sul territorio Italiano che internazionale. Infatti, oltre alla selezione presente a Milano, sar\u00e0 possibile vedere sul webchannel internazionale di videoarte \u2013 VisualcontainerTV \u2013 una speciale selezione dal 13 novembre al 10 dicembre, \u00a0per tutti gli amanti della videoarte che non potranno essere presenti a Marsiglia o a Milano.<\/p>\n

\u00a0TOWARDS THE FREE MOVEMENT OF BODIES AND DESIRES<\/strong>
\nVideo art is a contemporary art \u2026 of the struggle of those who have not yet renounced their right to bear wings.
\n1) More and more walls are built between those who have (almost) nothing and those who have (almost) everything.
\n2) Misogyny and homophobia (even when hiding behind good intentions) are walls built between bodies and desires.<\/p>\n

How can video artists express what should be a universal right: the right of everyone to circulate and settle where they please, to live freely in their sexuality, to love without impediment \u2026 ?
\nWe have built this year\u2019s festival upon our firm belief that the same logic drives all States, with the unfortunate agreement of a too-large number of individuals: to control the migratory flux and the flux of desire. The victims of this war against the unfamiliar and the foreign are in their millions today, whether in Gaza, Syria, Mexico, in Lampedusa or on our street.
\nWe are living on a planetary scale under a (political and economic) regime of patriarchal domination based on the law of the strongest: the most muscular, the richest, the best-armed, the best-qualified, the best-endowed. Whether it be in the name of a god; of saving an economy; of the preservation of identity; or as a guarantee of our security, the predators of a cosmopolitan, mixed-race, and unanimous humankind are conniving to close borders against undesirable populations, and control sexualities that threaten the heterosexual nuclear family unit where the safe pairs of hands are reproduced to produce the luxuries indispensable to the workings of a liberal economy, or to carry guns to fight in new \u2018civilising\u2019 crusades.<\/p>\n

Last April in Tunisia, I heard a mother declare that fish had become her enemies because her son was eaten by them when shipwrecked off the coasts of Europe. That is enough to justify our fight: reconciling Mediterranean people with fish. Between July and September 2014, 2900 migrants have died in the Mediterranean.<\/p>\n

What is at stake when we open borders in our bodies and desires is not only a human and political concern: it is also a poetic one. The unrestrained opening of borders will lead to the blending of bodies and the creolisation of languages. If only for this reason; if only for poetic reasons. We should demand of ourselves and the institutions which manage our destinies in spite of ourselves, the duty of radical hospitality.
\nWe do not talk of \u201cour rights\u201d, but of \u201cour doing what is right\u201d. As incest is (universally) forbidden, there should be a (universal) duty of hospitality. This is not negotiable; it is our moral obligation.<\/p>\n

We wish you a frenzied take off, on wings of mischief \u2026<\/p>\n

Marc Mercier<\/strong><\/em>
\nTranslation Kate Pinault<\/strong><\/em><\/p>\n

Artisti:\u00a0Francesca Fini (Italie), Fairuz Ghammam (Belgique), Paola Michaels(Colombie\/Argentine), Carla Forte (V\u00e9n\u00e9zuela), Rolando Vargas (Colombie \/ USA) Jo\u00e3o Crist\u00f3v\u00e3o Leit\u00e3o (Portugal), Bertrand Flanet (France\/Allemagne), Demirel Sirin Bahar (Turquie), Mairead McClean (Irlande du Nord).<\/em><\/strong><\/p>\n

Selezione Video:<\/strong><\/p>\n

White Sugar (13\u2032 \u2013 2013)<\/strong>\u00a0\/ Francesca Fini (Italie)
\nmove, move ! (5\u2032 \u2013 2005)<\/strong>\u00a0\/ Fairuz Ghammam (Belgique)
\nCaracoles y Diamantes \/ Snails and Diamonds<\/strong>\u00a0(8\u201925 \u2013 2013)<\/strong>\u00a0\/ Paola Michaels(Colombie\/Argentine)
\nInterrupta<\/strong>\u00a0(6\u2032 \u2013 2013)<\/strong>\u00a0\/ Carla Forte (V\u00e9n\u00e9zuela)
\nStill Life (3\u201939 \u2013 2014)<\/strong>\u00a0\/ Rolando Vargas (Colombie \/ USA)
\nM\u00f3nica\u2019s Portrait<\/strong>\u00a0(4\u201956 \u2013 2014)<\/strong>\u00a0\/ Jo\u00e3o Crist\u00f3v\u00e3o Leit\u00e3o (Portugal)
\nUnmanned Distances<\/strong>\u00a0(9\u201932 \u2013 2013<\/strong>) \/Bertrand Flanet (France\/Allemagne)
\nLiving with Leaviathan<\/strong>\u00a0(11\u2032 \u2013 2013)<\/strong>\u00a0\/ Demirel Sirin Bahar (Turquie)
\nNo More (15\u2032 \u2013 2013)<\/strong>\u00a0\/ Mairead McClean (Irlande du Nord)
\n*Per chi non potr\u00e0 essere presente a Milano o a Marseille\u2026 \u00e8 possibile assistere ad un altro screening video su VisualcontainerTV International videoart webTV dal 13 novembre al 10 dicembre, curato dal direttore del festival Marc Mercier e dedicato a tutti gli amanti della videoarte e diffuso via web a livello globale.www.visualcontainer.tv<\/a><\/p>\n

Les Instants Vid\u00e9o<\/strong>\u00a0\u00e8 un festival\u00a0dedicato alla video arte e poesia elettronica con le sue molteplici forme, video monocanali, installazioni, performance, multimedia, etcc.
\nDa 27 anni , Les Instants Vid\u00e9o \u00e8 sia una festa che un laboratorio dove artisti di fama internazionale e autori di opere\u00a0, ancora in working progress, possono confrontarsi. \u00a0Un momento di\u00a0\u00a0 incontro reale tra \u00a0opere d\u2019arte, artisti e spettatori, dove non vi \u00e8 concorrenza e l\u2019ammissione \u00e8 libera.<\/p>\n

www.instantsvideo.com<\/a><\/p>\n

Catalogo generale di Les Instant Video a\u00a0Marseille<\/a><\/p>\n

Come raggiungerci: MM Lilla Isola \u2013 MM Verde Garibaldi o MMGioia \u2013 MM Gialla Zara<\/strong><\/p>\n

[.BOX] Videoart project space<\/strong>
\nDal 2010 \u00e8 il punto di rifermento per la videoarte nel panorama culturale di Milano, grazie ad importanti collaborazioni strette con i migliori festival di videoarte internazionali, spazi istituzionali accademici e collaborazioni curatoriali.
\n[.BOX] \u00e8 un progetto di Visualcontainer Italian Videoart Platform<\/p>\n

[.BOX] Videoart project space
\nVia F. Confalonieri 11
\n20124 Milano
\nwww.dotbox.it
\ninfo@dotbox.it
\nTel. +39 347 7813346<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

27TH FESTIVAL LES INSTANTS VIDEO (Marseilles Milan) GLOBAL OPENING a cura di Marc Marcier vernissage venerdi 7 novembre in contemporanea con Marsiglia ore 18.30 \u2013 21 C\/O [.BOX] Videoart Project Space Via F. Confalonieri 11 20124 Milano fino al 13 … Continua a leggere →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[80,16,22],"class_list":["post-1752","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-80","tag-france","tag-global-opening"],"_links":{"self":[{"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/posts\/1752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/comments?post=1752"}],"version-history":[{"count":1,"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/posts\/1752\/revisions"}],"predecessor-version":[{"id":1753,"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/posts\/1752\/revisions\/1753"}],"wp:attachment":[{"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/media?parent=1752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/categories?post=1752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dotbox.it\/main\/wp-json\/wp\/v2\/tags?post=1752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}